sᴇʟᴇᴄᴛᴇᴅ ᴀʀᴛᴡᴏʀᴋ: ʜᴀɴs ʜᴀᴀᴄᴋᴇ, ɴᴇᴡs, 1969
86 - 88
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Early Career
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born in Cologne, Germany in 1936, few years before WWII
1956-1960 - study at Staatliche Werkakademie in town of
Kassel, Germany
student of Stanley William Hayter, English painter, printmaker
1961-1962 studied on Fulbright grant at Tyler School of
Art at Temple University in Philadelphia
1965 - move to NY, live since
1967-2002 teaching position at Cooper Union
relatively reclusive, believe work should stand on its own
Condensation Cube (1963-1965) - plexiglas cube filled
with water that responds to external conditions
context affect artwork's appearance
presage claims made in Joseph Kosuth's writings about
Conceptualism
work is explicitly political
involved with Art Worker's Coalition, formed in 1969 to protest
Vietnam War, advocate for Civil Right's movement, right for all
artists to be represented
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Analysis
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teleprinter connected to live feed of political and economic news
transmitted from wire services
bore logo of United Press International
long, narrow spools of paper, cut and affix to gallery walls
later installations allow paper to pile on floor
1969 exhibition at Howard Wise Gallery in NY
large group exhibition Prospect in Dusseldorf, Germany
telex machine installed in Dusseldorf Kunsthalle communicate
news by German press agency DPA
display for 1 day, on 3rd day store in plexiglas containers
1970 - included in show titled Software-Information Technology:
Its New Meaning for Art at New York Jewish Museum
aim to bring outside world directly into gallery
through architectural space: Judd, LeWitt
didactic treatment of language: Kosuth
depiction of everyday: Ruscha
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Institutional Critique
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Information at MoMA - invite visitors to vote on political issue
Rockefeller influence politics, major art donors
Gov Nelson Rockefeller serve as trustee, treasure, president
of Museum's board.
subsequent works focus on link between art institutions, arts
patrons, political and economic systems that are unjust
work censored a number of times
solo exhibition at Solomon R. Guggenheim Museum cancelled
in 1971
Thomas Messer, director of Guggenheim thought politics and
art should stay separate
view battled by artists ;ike Haacke, Ringgold, Rosler, who
believed art should address urgent political issues of the day
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