sᴛᴏᴘᴘᴀʀᴅ ᴀɴᴅ ᴘɪʀᴀɴᴅᴇʟʟᴏ
27 - 28
Luigi Pirandello - Italian playwright, pioneer of metafiction
winner of Nobel Prize for literature in 1934
17 major dramatic works
14 novels
collection of short stories
7 volumes of poetry
Six Characters in Search of an Author
Henry IV (Enrico IV) adapted for stage by Stoppard in 2004
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Enrico IV
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Italian aristocrat falls off horse in costume, thinks he is
English King Henry IV
family and friends nurture his belief, redecorate villa in style
of 14c king
goes on for 20 years
Henry's madness only lasted a year or two, fully aware
that he isn't Henry IV, but preferred simulated world over 20c
family and friend discover deception, he kills one of his friends in
anger, resumes life as Italian aristocrat
similar to Hamlet feigning own madness
only way Ros and Guil can imagine events beyond their control
is to play act role of others
take on Hamlet's persona in rehearsal of interrogation
later act as King of England (Henry IV or Lear)
in essay on modern drama, Richard Gilman voice kind
of questions that motivate Pirandello and Stoppard:
relationship between "act" and movements within nature
relationships between reality and truth, human characters and
characters of fiction, imagination and actuality
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Six Characters In
Search of an Author
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meta theatrical play
group of actors rehearsing play by Pirandello, strange family
arrive (characters from novel abandoned by its author)
the Director tries to dismiss them, but become more intrigued
their story is a kind of classic melodrama: broken family,
mother create new family, father visit daughter with gifts, leaves
town, mother's new husband dies, reduced to sew for a woman
who runs a brothel, who the daughter is forced for work for,
father visits brothel as a customer
Pirandello's main concern is relationship between artifice and
truth, performance and reality
Father argues with Director, say the actors have flexible reality,
while characters' reality are already determined
young boy kills young girl with a gun
Ros and Guil have little information, rely on what other characters
tell them and to give them direction
Pirandello's characters: desperate to be played
Stoppard's characters: desperate to have control
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